The Exorcist (Book) vs The Exorcism of Emily Rose (Film)

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The Exorcist as a movie was one of those films my parents didn’t want me to watch. There were never restrictions on what I could read, so that was always my loophole. Besides, my imagination is usually much scarier than what’s on the screen.

The book scared me as a kid. The idea that imaginary friends, like Captain Howdy in the book, could really be demons ready to vacation in my skin was frightening.

As an adult and a parent, I read it differently. It reads more like ignored child of busy starlet entertains herself by opening herself to demons. I can’t imagine knowing my child was playing with an Ouija board alone and was talking to someone through it; I would freak out with sage and salt and holy water and Florida water.

Early in the book, Regan tries to show her mother how she talks to Captain Howdy through the board, and then they both just walk away. Superstitious me was screaming, “NO!!!! You have to close the connection! You have to end the session! Great googly moogly, this is how you get demons!” Of course, Regan becomes possessed and the story focuses on ridding her of evil.

The biggest differences for me when looking at The Exorcist as compared to the movie The Exorcism of Emily Rose are the family dynamic and the priests. In Emily Rose, the family is close knit and religious. In The Exorcist, the family is a little more loosey-goosey with mom chasing her career; they are worldly, not sheltered, and not overly religious.

In Emily Rose, it is Emily herself that chooses to depart this world, to give herself over to God as a lesson to the world and a final gesture of her faith. In The Exorcist, it’s those involved in the exorcism that take death to rid Regan of evil.

Which story works better for me as a scary tale? I’m surprised to admit that right now, it’s Emily Rose, the movie with a studious good girl from a solid family. Reading The Exorcist in the context of a parent, it’s more like single parenting career-focused moms are half-assed parents that might as well have the devil for a babysitter. Yes, The Exorcist has the good against evil theme present in Emily Rose, but to me it feels a little like a lecture: stop hosting dinner parties, Chris, and focus on your daughter and maybe then she won’t pee on the rug.

The Shining and “Twenty-Five Cent Words”

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Phrases.com shows the definition of “twenty-five cent words” as “an uncommon word, often used in place of a more common one with the intent to appear sophisticated.” Something that stands out to me in my re-read of The Shining by Stephen King is the use of many fancy-shmancy words.

 

Perhaps ol’ Steve wanted this work to be considered a more literary read than horror. Perhaps the editor put those words in place of some better-known words that had been repeated. Either way, there are words in The Shining that I think I understand in context but don’t recognize easily. I’ll share some of the words that caused me pause.

 

Malefic. Color me a dork, but I gather from the name of the Disney villain Maleficent that this means something especially bad. A Google search tells me it means “causing or capable of causing harm or destruction, especially by supernatural means.”

 

Flambeaux. Flambe desserts are on fire when they arrive at the table, so maybe this is something on fire or lit. The “eaux” on the end helps me to know it is plural. Looking it up, the definition is “a large candlestick with several branches.”

 

Yaw. I know “maw” but I don’t think I know “yaw.” Similar maybe? The definition didn’t really help me: “a twisting or oscillation of a moving ship or aircraft around a vertical axis.” “Yaw” is used on page 584 of my copy in the description of an elevator’s entrance. I kind of think that really he meant “maw.” Will someone call Steve and ask if it’s a typo? Thanks.

 

Roque mallet. Maybe everyone else in the world knows what “roque” and “roque mallets” are, but I didn’t. If a roque mallet is going to be used as a weapon, I needed to know what it was and what it looked like to really embrace the scene in which it was used. “Roque” is apparently an American version of the game “croquet.” A roque mallet is wooden. I remember on my first read of this book, I assumed there was some metal involved in this implement, though I don’t recall why I thought that.

 

The biggest reason I’m calling out the twenty-five cent words is that they pull me out of the story. I, perhaps arrogantly, consider myself to be well read. It’s rare that I run across words in modern fiction that stop me.

 

The Shining was written, I assume, to entertain. When we write to entertain, I think we have an obligation to our readers not to dumb it down, but to make the writing approachable enough that we can create a mood that is understood.

 

Maybe it wasn’t written to entertain, and I need to suck it up that I didn’t know all the words. Perhaps it was intended to be a profound literary work, written in such a way as not to appeal to the masses.

Another day and time, we can get into why so many characters stutter in Stephen King’s books.

The Exorcism of Emily Rose: Awake at 3 AM?

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I originally saw The Exorcism of Emily Rose at a movie theater in Myrtle Beach, South Carolina. I recall it vividly because of how suggestible I apparently was.

 

In the film, clocks stop at 3 AM and strange events, allegedly demonic in origin, happen at this time. A priest in the movie explains that 3 AM is the Devil’s Hour, mocking the Holy Trinity. I’d never heard of this idea that a specific hour of the day was more evil than another.

 

The movie was based upon the true story of Anneliese Michel, a German woman who died after an exorcism in the 1970s. For me, seeing “based on a true story” usually amps up the thrills. This one was no different; The Exorcism of Emily Rose scared the bejesus out of me.

 

For a few months (yes, MONTHS) after watching the movie, I would wake out of a sound sleep at 3 AM. Prior to the movie, I didn’t wake at that hour, or any hour until my alarm went off. Night after night, I would wake at 3 AM and usually feel concerned that something nefarious was afoot.

 

One night, I realized I’d never had any concerns about waking in the night at any particular time prior to viewing this particular scary movie. I’d never had any reason to be scared when it was 3 AM. Thinking it through, I became aware that I’d taken this idea from a piece of entertainment and let it shake me up! I couldn’t believe how suggestible I was, how open to receive this movie tidbit as fact.

 

It was my own suggestibility that I considered when I watched The Exorcism of Emily Rose last week, and that awareness gave me a new slant on the suggestibility of the main character. Emily comes from a highly religious home and goes off to college. She goes to a dance and even canoodles a bit her boyfriend.

 

Imagine how seriously someone might believe they had sinned if they had come from such a devout household. How does she rationalize what she’s done? How does she come to terms with her choices when she feels such shame and guilt?

 

The only acceptable answer that her she and her loved ones could get onboard with: demonic influences. Emily wasn’t acting of her own freewill. She was possessed!

 

Could a person convince themselves that they are filled with demons? I don’t see why not. I, a typically way too logical adult, managed to be convinced for a short time that 3 AM was chock full of evil simply by watching a film. It seems reasonable that someone from a strict upbringing could convince themselves that the Devil made them dance and smooch.

 

I have no way of knowing if Anneliese, the woman that inspired the film, was impressionable enough to believe being possessed was the only explanation for her thoughts or behaviors. Maybe Anneliese had an untreated mental illness. Maybe Anneliese was living with the results of a traumatic brain injury. Or maybe, just maybe, she really was possessed by something otherworldly? You can text me your thoughts when you find yourself awake at 3 AM.

Paranormal Activity Still Holds Up

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Sometimes when I watch a movie again years after it was released, it doesn’t always stand the test of time. The special effects might appear hokey, or it might be a storyline that would be crushed with a tool as simple as a mobile phone.

 

Maybe I’m alone in my thinking, but I felt like Paranormal Activity is still full of fun scares. It’s similar to Blair Witch Project in that we, the viewers, are supposed to believe we’re watching found film footage, not a scripted movie. Because it’s in this niche of found footage, I believe that gives Paranormal Activity staying power.

 

In Paranormal Activity, Katie and Micah are experiencing what might be a haunting in their townhouse. Katie explains that this has been happening for as long as she can remember, that the haunting follows her. Micah is a little annoyed that she didn’t mention the bit about being a ghost magnet before they started living together.

 

They decide to film what’s happening day to day and even record in the bedroom while they sleep. This approach works well to build up tension because there are sounds, for example, that take place well off camera. That’s a terrific plan for a tight movie-making budget since you don’t have to show anything scary for most of the film.

 

Noises, footprints, and even a photo found in the attic build up the creepy layers, but we haven’t seen the ghost or poltergeist or whatever might be haunting Katie and the home she shares with Micah. For me, this works well in the same way that the movie Jaws created tension. It’s allowing the viewer’s imagination to fill in the blanks. Perhaps that fails with folks who have no imagination, but for my whirling scary-go-round brain, filling in my own blanks is a major scare.

 

As a fan of scary movies, I was absolutely livid that Micah wanted to use a Ouija board. Has he really never seen any scary movies? This NEVER works out well, and it doesn’t work out well for Katie and Micah either.

 

Random side note: I was irritated by the pronunciation of “Micah” as “Meeka” instead of with a long “I” sound. I listened to several recordings of how to pronounce the name in English, and they all had the long i. Picky? Maybe, but it’s one of those pesky things that will break my interest in a movie. All they had to do was give him a name like “Scott” and there would have been no problem!

 

The big ending (spoilers!) mostly happens off camera. Again, this works because we believe that this is found footage. Micah’s body is thrown at the camera, knocking the camera down. We’re treated, at long last, to a glimpse of the demon, now making itself comfy in Katie. Totally scary when demon-possessed Katie screams and lunges at the camera to end the movie.

 

Paranormal Activity still holds up. The timing of the thumps, bumps, footsteps, and so on just builds and builds until it explodes into a demonic possession. Is it a profound artistic masterpiece? No way, but it’s still a reliable movie for startling scares without gore or crazy effects.

Sunday Funday: Let’s Go to the Movies

The Lodge Movie Poster
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The Lodge Movie Poster

Sunday is usually our day to get out of the house in search of some fun.  With both of us fighting off some February germs, my sweetie and I decided to take it easy and just catch a movie.

We’d seen the trailer for The Lodge a few weeks back when we went to see Color Out of Space.  I thought The Lodge looked suitably creepy and have been on the lookout for it to land in the local theaters.

This is not a blood, chainsaws, and jump scares movie.  This film is a heavy, stressful kind of scary.

Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win.” — Stephen King

You have Dad’s new girlfriend caring for his two kids in Dad’s winter vacation cabin just before Christmas.  Dad’s a workaholic that skedaddles back to his job in the city, leaving the kids with this woman who is pretty much a stranger to them.  He’ll be back in two days, so what can go wrong?

Everything goes wrong.  The kids are jerks.  The girlfriend is more than a little off her rocker.  Let’s toss a blizzard into the mix and lose power so the cell phones are dead.  Everyone’s stranded in this cabin miles from nowhere with no communication and no vehicle.  Sounds like a super good time in the making, right?

What’s horrific in this movie is the churning of emotions.  The landscape is bleak, frozen white as far as the eye can see.  The situation is awful and getting worse every moment.  Our characters are cold, hungry, and desperate.  The two days that Dad is supposed to be gone seem more like a month.

Who is the villain in this movie; who is the monster?  Every character shows their ugly side, their darkness, at some point, but they also show their weak spots.  They are all at fault on some level; that’s why the movie stressed me out, because there really are no innocents and there is no happy ending lurking around the corner.

When the credits rolled, I was like, well, at least there weren’t screaming alpacas (Color Out of Space was stressful, particularly the alpacas).  I let out a sigh of relief for being set free from the weight of this movie.

The Lodge is scary because humans are terrifying.  There are no vampires or mask-wearing nuts roaming the woods, but this movie doesn’t need those gimmicks.